sound_stories - TEAM Design-in-a-nutshell - License: CC-BY-4.0

Sound_Stories

A modular workshop on sustainability in music education

Module 1

Module 1: Understanding Sustainability

This module introduces sustainability through stories, listening, and collaborative exploration. Participants reflect on relationships between people, environments, and everyday practices while recognising that sustainability can be understood in different ways.

Participants will...

  • explore sustainability through stories, sound and dialogue
  • listen to and share different perspectives
  • reflect on people, places, and environments

Suggested duration
30-45 minutes

Pathway A: preparation

  • Choose a story and select relevant episodes
  • Optional visualisations for the story

Pathway B: preparation

  • Papers/cards and markers
  • Yarn/strings for collaborative concept mapping
  • Optional sustainability exhibition materials

sound_stories - concept map on sustainability and music - License: CC-BY-4.0

Exhibition of sustainability in music education (optional)
  1. 🌿 Project #Savetheamazon

    Students learn samba by first focusing on rhythm, then adding melodic instruments. They experience the energy and teamwork needed to play Brazilian music. They discover the importance of the Amazon rainforest, learning about Indigenous peoples, the threat of deforestation, and how the forest helps clean the air for the whole planet.

  2. 👣 Soundwalk improvisation

    Students go on a soundwalk, listening carefully to their environment, then use those impressions to improvise music. This helps them notice the qualities of their local area, whether rural or urban, clean or polluted, quiet or busy, and consider how human activity affects the natural soundscape and living creatures.

  3. 👂🏽 Soundscapes

    Students create soundscapes by combining musical ideas with environmental sounds or found objects. These connect to what they experienced during a soundwalk. Through exploring their environment, they learn how natural and human‑made sounds reflect the health, identity, and needs of that place.

Module 2

Module 2: Composing Sustainability

In this module, participants transform ideas, emotions, and reflections about sustainability into sound and music. Through creative exploration, they compose short musical stories inspired by people, environments, relationships, and everyday experiences in smaller groups. There is a lot of flexibility in how you approach and design the composition task depending on the group size, available time and the focus of inquiry. Examples can be groups of 3-5, composition length as short as 30 seconds, must include the use of syncopation, etc.

Participants will...

  • create musical stories connected to sustainability
  • experiment with sounds, instruments, and musical ideas
  • collaborate creatively through music-making

Suggested duration
20-40 minutes

Preparation

  • A selection of your/pupils' choice: instruments, natural resources, waste objects
  • Posters of musical elements with or without ideas connected to sustainability
  • A few back-up stories/scenarios for those participants who struggle to come up with their own
  • Recording devices (optional)
  • Paper/cards for writing down ideas (optional)

Module 3

Module 3: Reflecting on sustainability

This module invites participants to reflect on the ideas, emotions, and perspectives that emerged during the workshop. Through listening and dialogue, participants explore connections between sustainability, music, everyday life, and their own experiences.

Participants will...

  • reflect on sustainability through music and dialogue
  • listen to and respond to different perspectives
  • connect workshop experiences to their own lives

Suggested duration
15-30 minutes

Feedback

This work 5 Finger Feedback by Philip Stade is licensed under CC BY 4.0

Literature and further reading

Below you will find a curated selection of readings and resources related to sustainability, music education, storytelling, emotions, and participatory learning. The resources are organised by theme to help you quickly find the type of inspiration or background you are looking for.

Some resources offer practical classroom ideas, while others provide research-based perspectives, stories, or accessible introductions to sustainability in music education. You do not need to read everything - feel free to explore according to your interests, teaching context, or level of experience.

🟢 Getting started accessible introductions to sustainability and music education
🟡 Classroom inspiration practical ideas, activities, and teaching examples
🔵 Deep dive research and theoretical perspectives for further exploration
🟣 Stories & perspectives narratives, lived experiences, and case-based perspectives


Sustainability and music education

Recommended if you are new to sustainability in music education and would like an accessible introduction.
🟢 🟡 Music Lessons for a Living Planet: Ecomusicology for Young People Shevock, D. J., & Bates, V. C. (2024). Music Lessons for a Living Planet: Ecomusicology for Young People. Routledge.
Accessible introduction with practical examples for younger learners.
🟢 Bates, V. C. (2024). Sustainable Futures and School Music. In The Sage Handbook of School Music Education (pp. 52–66). Sage Publications.
A concise overview of sustainability and school music education.
🔵 Foster, R., & Sutela, K. (2024). Ecosocial approach to music education. Music Education Research, 26(2), 99–111.
Introduces an ecosocial perspective on music education and sustainability.

Practical ideas and classroom inspiration

Recommended if you are looking for concrete examples of how sustainability can connect with music teaching.
🟡 Barcellos, L. C., & Wade-Chung, R. (2022). #SaveTheAmazon: Promoting global competence and making bridges in the middle school music classroom. Journal of Popular Music Education, 6(3), 403–421.
Example of connecting sustainability and global competence in music education.
🟡 🔵 Shevock, D. J. (2017). Eco-Literate Music Pedagogy. Routledge.
Practical and philosophical ideas for ecological music pedagogy.
🟡 Schmid, S., Völker, J., Eusterbrock, L., & Weidemann, L. (2023). Musik-Klima.
Practical examples and teaching resources connecting music and climate.

Emotions, dialogue, and participation

Recommended if you want to support dialogue, emotions, and multiple perspectives when teaching sustainability.
🟡 🔵 Ojala, M. (2013). Emotional Awareness: On the Importance of Including Emotional Aspects in Education for Sustainable Development (ESD). Journal of Education for Sustainable Development, 7(2), 167–182.
Helpful for working with emotions, uncertainty, hope, and dialogue in sustainability education.

Stories and sustainability

Recommended if you would like to work with storytelling and sustainability-related perspectives.
🟣 Watt-Cloutier, S. (2015). The Right to Be Cold. University of Minnesota Press.
A personal and political story connecting climate change, Indigenous perspectives, and lived experience.
🟣 🔵 Lawrence, R. (2014). Internal colonisation and Indigenous resource sovereignty: wind power developments on traditional Saami lands. Society and Space, 32, 1036–1053. Useful for discussing conflicting perspectives and sustainability dilemmas (“wicked problems”).

Sustainability frameworks and background

Recommended if you would like a broader overview of sustainability.
🟢 United Nations (2015). Sustainable Development Goals (SDGs).
General overview of global sustainability goals and themes.

Credits following credit.niso.org
  • Conceptualisation, Implementation, Evaluation & Re-design: Lina Van Dooren, Jonė Girdzijauskaitė-Pocienė, Philip Stade

  • Review & Editing: Thade Buchborn, Lina Van Dooren, Jonė Girdzijauskaitė-Pocienė, Anna Houmann, Elissavet Perakaki, Branka Rotar Pance, Michael Rumpeltes, Philip Stade & Lena Widdermann

  • Visualisation & OER Design: Philip Stade & Lena Widdermann

Contact: p.stade@mh-freiburg.de

The learning offers have been developed by TEAM and are part of design-based research. Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.